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1. OMGF - Wonderful

  • Published: 2016-02-14T16:25:42Z
  • By Sir Shen
OMGF - Wonderful

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3. Where Are Ü Now (Autolaser Remix)

  • Published: 2016-02-24T14:47:00Z
  • By Sir Shen
Where Are Ü Now (Autolaser Remix)

Duplo remix

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6. Sirène

  • Published: 2014-04-07T07:26:08Z
  • By Shen777
Sirène

Ambient music composed in fruity loops in 2004 with sgm soundfont

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7. Gil K – NO REQUESTS #31(Chill/Dub/Disco) 5.5.10

Gil K – NO REQUESTS #31(Chill/Dub/Disco) 5.5.10

1. Yes Boss - Hess Is More (NuBlu Records) 2. Bay Area - Claude Von Stroke (dirtybird) 3. Builder - Kaskade Let's Make Out Mix - Rithma (OM Records) 4. Overgrowth – Shen (Muti Music) 5. Silver Beach - Sir Loungealot (Armada Music) 6. Time For Us - Nicolas Jaar (Wolf+Lamb) 7. Beyond The Dance - 12'' Extended Mix Joey Negro (Z Records) 8. Jam Hot - 40 Thieves Dub - Johnny Dynell (Smash Hit Music) 9. The Try - Toby Tobias (Under The Shade) 10. Love Light - Soul Clap (Wolf+Lamb) 11. Illuminations - Ashley Beedle's Dub - Hungry Ghost (Internat’l Feel) 12. All Night - Ilija Rudman Mix – Voltage (Cutters Records) www.nosimusic.com www.facebook.com/nosimusic www.youtube.com/nosimusic

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8. NEVER FORGET 420 VOL. II

NEVER FORGET 420 VOL. II

Green Lion Crew digs deep in the crates to bring you the second volume of 100% rare ganja classics for NEVER FORGET 420. Hosted by Joe Lickshot & LA Lewis. featuring exclusive dubplates from Mr Williamz. Shoutouts to JAMMY @lifeiscrazy420 . Tracklist: Side A: 01. Joe Lickshot x Rico Rodriguez- Ganja 02. LA Lewis x Vin Gordon- Green Callie 03. Freddie McGregor- Natural Collie 04. Charlie Ace- Country Boy 05. Sidney Crooks, George Dekker, & Jackie Robinson- Feeling High 06. Hopeton Lewis- Dreadlock Chalice 07. Jah Woosh- Marijuana World Tour 08. Mr Williamz- Ali Baba Ganja Dada (Dubplate) 09. Ringo- Ganja Exchange 10. Mr Williamz- Love Mi Ganja (Dubplate) 11. J. Clarke X King Tubby- Collie Dread & Dub 12. Kandiman- One Good Thing (Jingle) 13. Sir Lee- Light up the Chalice 14. Dillinger x Trinity- Rizla Skank 15. Trinity- Don’t Trouble Natty Dread 16. The Originals- Irie Irie 17. Vivian Jackson & The Prophets- Sipping I & I Chalice Side B: 18. The Upsetters x Joe Lickshot- Bush Weed 19. Paul Hurlock- Someone Cut It Down 20. Trevor Byfield- Burning Bush 21. International Herb- Sugar Minott 22. Lacksley Castell- My Collie Tree 23. Winston Jarret- I Shen Galore 24. LA LEWIS never forget cell phone Jingles 25. Desi Roots- Weed Fields 26. Jacob Miller- Lick Weed Dub 27. Patrick Andy- Tired Fi Lick Weed In a Bush 28. Anthony Johsnon- What Kind of Herb 29. Black Slate- Legalize Collie Herb 30. Dice & Cummie- Real Collie 31. Reggae George - Collie Dub 32.John Clarke- Good Collie Weed 33. G.D.- Collie Weed Mixed by Green Lion Crew Hosted by Joe Lickshot & LA Lewis

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9. Glitch.fm #69 - Morbidly Obese Midget + MC2 + Warp9

Glitch.fm #69 - Morbidly Obese Midget + MC2 + Warp9

MORBIDLY OBESE MIDGET PT.I Dimaa - Eklegein [Soundcloud] Skope - Good To Me [Omni Temple] Mongoose - Show (feat. Grim Glitch) [Glitch Hop Community] Mat Tha Hat - DIMINISHED SEVENTH [The Pooty Club] Au5 & Fractal - Subvert [Adapted Records] Staunch - My Name is... [Adapted Records] Cheshire - Get Away (ft. laysha) [Adapted Records] MC2 DIGGYLAND MIX I love Go go Dancers - Vespers - adapted records Cheyah - Mr Bill - Gravitas rec Robo Funk - Skope - adapted records 1984 - Teknian - Inspected records In search of King Anchovy - Opiuo - Addictech Bounce - Critical / Beatsmith - LaFunkt remix - The Pooty Club Records Lux Obscura - ClosedEyeVisuals - Glitch Hop Community All You Gotta Do - Mako, Maksim, CandyLand - Spinnin Records Flatmate - Charger Fizzle Tickler - Opiuo -Addictech MC2 - Fell Roll In Reload - Chateau Bruyant Freddy Todd - Handler - Glitch Hop Community Crep Hype - Foreign Beggars - MRK1 Remix Headache - Tambour Battant Ibots - K Theory - Burn The Fire 23 Flavors - Gramatik - Gravitas rec MORBIDLY OBESE MIDGET Pt.II Shamanic Technology - Neuro Wolf [Omni Temple] Atomic Drop vs Nimbus ft. Cheshire Cat (Skope Remix) [Adapted Records] Tryptich & Dephicit - Get Dirty [Colony Productions] William Breakspear, Mouldy Soul - Mash Up The Scene [Skanky Panky Records] WARP9 SUMMER MIX 2013 Opiuo ft. The Fungineers, BluRum13, Russ Liquid - Space Party Warp9 - Planet Funkatron Kill Paris - To a New Earth (Gramatik Remix) Stereocool - Dogs On The Rocks (ft. Xela) The Floozies - Sunroof Cadillac It Takes Two To Tango - Yes Sir I Can Boogie c2c - Happy ( J-Sound Remix) Bobby C TV - Jelly Belly Cheshire - We'll Be There Defunk - Big Momma T Opiuo - Wiggle Sticks (Fort Knox Five Remix) Warp9 - Skanky Brass Dutty Moonshine & Kid Kasino - Everybody MORBIDLY OBESE MIDGET Pt.III Shen - Hidden [Muti Music] 813 - Glitter Sand ( T-Racks mas ) [Soundcloud] Nico Luminous - SHE'S MAGIC [Facebook] Dutty Moonshine 'Bodyrocka' (BEAT3 Remix)[Rocstar Recordings]

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10. Burn the Urf (Backseat freestyle Parody)- Doktah Dewski

Burn the Urf (Backseat freestyle Parody)- Doktah Dewski

After listening to the Planet Urf song, the percussion reminded me of K Dot's backseat freestyle. Its been awhile since I made a league of legends song, Enjoy. URF had a dream URF had a dream Manatee's dream? All my life I wanted to take out towers leave the lane and drown scrubs in lead showers I pray my ults hit you with infernal power So I can burn the earth for seventy-two hours leave you all in plastic, or on a space ship TSM is fighting cloud nine and this 9 multiplies for the pain set Start up that hot roddy and vroom-vroom, I'm racing ulted by poppy and I pray they don't find her naked And I send you to a grave rest, teemos gonna shroom it leave it nice and hidden , to make face checkers feel stupid Nasus farming his q up, so he can leave em wishing hed miss his minions sooner, while my team is grinning, all chat screaming All my life I wanted to take out towers leave the lane and drown scrubs in lead showers I pray my ults hit you with infernal power So I can burn the earth for seventy-two hours hecarim needs some fixing jinx missles stay missing jax has gone fishing urf rifting the system All my life I wanted to take out towers leave the lane and drown scrubs in lead showers cooldown for my weapons are never, yes sir set fire to the Cass, quick fast i got extra And my nami heals so fast she'd die probably never so i stunned her last so she couldnt manage And I wreck kids who havent banned twitch so i can feed on cheddar My cheesy power had pop it fast to impress yea your roped in thresholding choking and hoping that shen ult is open, but velkoz just poked in cuz All my life I wanted to take out towers leave the lane and drown scrubs in lead showers I pray my ults hit you with infernal power So I can burn the earth for seventy-two hours hecarim needs some fixing jinx missles stay missing jax has gone fishing urf rifting the system All my life I wanted to take out towers leave the lane and drown scrubs in lead showers

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11. Chinese Conversation 2 点菜 (diăn cài) Order Dishes

  • Published: 2016-08-21T01:11:37Z
  • By Kafka
Chinese Conversation 2 点菜 (diăn cài) Order Dishes

Beginner Level / 初级chūjí Fú wù yuán: Xiānsheng, nínhăo, nín xūyào diăn shénme? Waiter: Sir, can I help you please? Gù kè: Wŏ yào yí fèn niúpái. Customer: I’d like a steak. Fú wù yuán: Hăo de, qĭng shāoděng. Waiter: Ok, wait for a moment, please. Intermediate Level / 中级zhōngjí Fú wù yuán: Huān yíng guāng lín! Xiānsheng, qĭngwèn nín xūyào diăn shénme? Waiter: Welcome! Sir, can I help you please? Gù kè: Wŏ xiăng diăn yī xiē jiāchángcài, nĭmen zhè dōu yŏu shénme? Customer: Do you have home-style dishes here? I want to order some. Fú wù yuán: zhè shì càidān, qĭng nín kàn kàn. Waiter: This is the menu, please have a look. Gù kè: èn, wŏ yào gōngbăojīdīng, yú xiāng ròu sī, hái yŏu xīhóngshì chăo jīdàn. Cài lĭ bú yào fàng wèi jīng, shăo fàng làjiāo. Customer: Well, I want Kung pao chicken, Fish-flavored shredded pork and Scrambled eggs with tomatoes. Please don’t add MSG to the dish and have less hot pepper. Fú wù yuán: Hăo de, qĭng shāoděng. Waiter: Ok, wait for a minute, please. Advanced Level / 高级gāojí Gù kè: Fú wù yuán, diăn cài. Customer: Waiter, I want to order some dishes. Fú wù yuán: Hăo de, xiān sheng. Qĭng wèn nín jĭ wèi? Waiter: Yes, sir. For how many people, please? Gù kè: Liăng wèi. Qĭng bă càidān gěi wŏ. èn, zhè ge máyĭshàngshù shì shénme cài? Customer: Two. Menu please. Uh, what is this dish: Ants climbing trees? Fú wù yuán: Tā de zhŭyào yuánliào shì ròuò hé fěntiáo, yīnwèi ròumò zài fěntiáo zhōngjiān, kàn qĭlái jiù xiàng shì máyĭ zài páshù, suóyĭ jiù yŏu le zhè ge míng zi. Waiter: It is mainly made from minced meat and vermicelli. The vermicelli with spicy minced pork looks like ants climbing trees. Thus the dish is named “Ants climbing trees.” Gù kè: Tīng qĭlái hěn yŏu qù, wŏ jiù yào tā le; zài lái gè mápódò fu, duō fàng diăn làjiāo. Lìng wài, zài yào yí gè qīng zhēng lúyú. Customer: It sounds interesting and we’ll take it. I also want Mapo Tofu (Stir-Fried Tofu in Hot Sauce) with enoughhot pepper. Besides, I want steamed perch with scallion and black beans. Fú wù yuán: Hăo de, xiān shen. Zài lái yí gè wŏmen diàn lĭ de tèsècài – yùmĭgēng zěnmeyàng? Wŏ xiăng bĭjiào hé xiānsheng nín de kŏuwèi. Waiter: Ok, sir, how about our specialty Thick corn soup? It must suit your taste. Gù kè: Hăo, lái yí gè, zài ná liăng píng píjiŭ. Customer: Ok. We’ll take it and please give us two bottles of beer. Fú wù yuán: Hăo, èr wèi qĭng shāoděng, cài yí huìr jiù shàng lái le. Waiter: Yes, sir. Please wait for a minute. The dishes will be served very soon.

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12. Mannes Orchestra - Joseph Haydn - Allegro - Symphony No. 44 in E minor

Mannes Orchestra - Joseph Haydn - Allegro - Symphony No. 44 in E minor

THE MANNES ORCHESTRA: David Hayes, Music Director Friday, September 28, 2012 at 7:30 p.m. Centennial Memorial Temple PROGRAM Symphony No. 44 in E minor Joseph Haydn Allegro con brio (1732-1809) Menuetto: Allegretto Adagio Finale: Presto Suite from North by Northwest (1959) Bernard Herrmann Overture (1911-1975) Conversation Piece The Match Box Mount Rushmore Sequence The Miraculous Mandarin, op. 19 Béla Bartók Allegro: Introduction (1881-1945) Moderato: First decoy game Second decoy game Sostenuto: Third decoy game Maestoso: The Mandarin enters Allegro: The girl sinks down to embrace him Sempre vivace: A wild chase begins David Hayes is a conductor with an unusually broad range of repertory, spanning the symphonic, oratorio/choral, and operatic genres. Mr. Hayes is currently the Music Director of the Mannes Orchestra, Professor of Professional Practice at Mannes College The New School for Music, Staff Conductor of the Curtis Symphony Orchestra, Music Director of The Philadelphia Singers (a professional vocal ensemble) and the newly appointed Music Director of the New York Choral Society. Mr. Hayes recently concluded a decade-long tenure on the conducting staff of The Philadelphia Orchestra (with whom he made his subscription debut in 1993 at the request of Wolfgang Sawallisch). He has also served as a cover conductor for the New York Philharmonic as well as for Sir Andre Previn on the Curtis Symphony Orchestra’s 1999 European Tour with Anne-Sophie Mutter. Recent guest conducting engagements have included leading Britten’s The Rape of Lucretia and the East Coast Premiere performances of Tan Dun’s Tea for the Opera Company of Philadelphia as well as conducting the finals of the Fulbright Piano Competition with the Artosphere Festival Orchestra. The 2011-2012 season saw Mr. Hayes lead: performances of the Mannes Orchestra at Alice Tully Hall and Carnegie Hall (including the New York premiere of Elliott Carter’s Flute Concerto); subscription concerts of The Philadelphia Singers; the Curtis 20/21 ensemble in a concert with Roberto Diaz as soloist in December; serve as lead faculty for the Chorus America National Choral/Orchestral Conducting Masterclass in New York in January 2012; a Curtis Opera Theatre production of Bellini’s I Capuleti e i Montecchi; and the Berkshire Choral Festival for a concert of opera acts by Puccini, Verdi and Bizet. Mr. Hayes’s guest conducting engagements over the past few seasons have included concerts with the Philadelphia Orchestra, the Richmond Symphony Orchestra, the Lancaster (PA) Symphony Orchestra, the Louisiana Philharmonic, The Relâche Ensemble, the Rutgers Orchestra, The Curtis Symphony Orchestra, the Chamber Orchestra of Philadelphia, the Curtis Opera Theatre, the Opera Company of Philadelphia, and a Kennedy Center debut with the Washington Chorus and Orchestra (which includes members of the National Symphony Orchestra). Mr. Hayes has collaborated with some of the world’s finest soloists including: Roberto Diàz, Vladimir Feltsman, Haijing Fu, Evelyn Glennie, Gary Graffman, Hillary Hahn, Jennifer Koh, Meng-Chieh Liu, Alan Morrison, William Burden, Nancy Maultsby, Meredith Arwady and Rinat Shaham. In addition, Mr. Hayes has a strong commitment to nourishing contemporary music and frequently collaborates with composers. Among the notable composers with whom he has collaborated are: Tan Dun, Jennifer Higdon, Ezra Laderman, Sir James MacMillan, Paul Moravec, Bright Sheng, Christopher Theofanidis and Chen Yi, among many others. In the world of popular artists, Mr. Hayes has conducted concerts with Billy Joel, Blue Man Group and John Lithgow. Mr. Hayes made his debut at the Verbier Festival with the Curtis Orchestra and has made several appearances with the Springfield (MA) Symphony Orchestra at the Berkshire Choral Festival. In addition, Mr. Hayes and the Mannes Orchestra continue to make yearly appearances at the Mannes Contemporary Music Festival. THE MANNES ORCHESTRA Violin Katherine Liccardo, Concertmaster A Jin Choi Anna Choi Johannes Chung Caroline Cox Shuaili Du Basma Edrees Delaney Harter Jingyi Hou Young Soo Jang Yoorim Kim Katherine Meyers Meredith Ezinma Ramsay Michael Tropepe Chiung-Hua Tsai Jacqueline Vanasse Emily Vold, principal Yu-Ti Chang Christine Choi Hiu Kai Fan Mara Gerety Anna Hiemstra Trevor Hofelich Shushi Hori Aria Kitaguchi Jess Lo Amy Tan Weilong Wang Xinou Wei Yijia Zhang Viola Samuel Kelder, principal Xue Ding Heather Faust Yi-Li Lai Wen Guan Li Patrick Page Jesus Rodriguez Gonzalez Sarah Thrall Hsin-Yun Yang Taeyoung Yoon Qiyun Zhao Cello Zexun Shen, principal Jeanne Dorche Joseph Gotoff Mark Humburg Monica Ji Sooyoun Lim Ji-Hwon Na In Young Park Jae Hee Park Chan Kyung Jane Park Yoonjin Park Ji-Hyeon Yun Bass Aleksey Klyushnik, principal The Homer Mensch Chair Anthony Bellamy Lea Ivanovic Ryan Koehler Carlin Rizzo Andrew Rogers Yu-Chi Wang Flute Michelle Stockman, principal Seung Jae Yoo, principal Min Jee Kim Juhye Lee Juhyo Lee Sojung Moon Oboe Ellen Hindson, principal Cory Snoddy, principal Cat Cantrell Ron Cohen Mann Evan Sanchez English Horn Phillip Rashkin Clarinet Miles Jaques, principal Yoonah Kim, principal Eric Fung Brian Park Diego Vasquez Jinju Yeo Bassoon Mary Catherine McKee, principal Colin Mannes, principal Peng Zhang Contrabassoon Annamaria Kis Ven Saxophone Robert Harvey Horn Alexander Chin, principal Tsviki Moran, principal Jonathan Carroll David Flaum Merav Goldman Jessica Lombardo Eric Vanderlaan Nicholas Walls Trumpet Alexandria Smith, principal Matthew Brunt David Freides Melanie Gold Daniel Rodriguez Trombone Chia-Hsien Lin, principal Andrew David Nissen, principal Richard Rituper Bass Trombone Daniel Dunford Matthew Winter Tuba Christopher Smith Harp Kathryn Andrews Kristi Shade Piano Alexander Bryson Celeste Stanislav Fridman Timpani Phillip Gallo Austin Holm Percussion Joshua Azenberg Phillip Gallo Austin Holm Maiko Hosoda Jessica Tsang Orchestra Librarians: Christopher Smith, Alexandria Smith, Dong Myung Sohn Orchestra Crew: Eric Fung, Annamaria Kis Ven Director of Instrumental Studies: Chris Gulhaugen Assistant Director of Instrumental Studies: Elizabeth Weisser About Mannes College The New School for Music Mannes College The New School for Music develops the next generation of classical music citizens by combining music conservatory traditions with the cutting-edge advantage of being part of The New School, the nation’s foremost progressive university. Founded in 1916, the Mannes formula for quality education has capitalized on its world-class faculty, location in the heart of the global arts capital, small class size, and a living tradition of rigor and depth that develops strong technique and great artistry. The Mannes ethos forms the basis of a vibrant community, whether you are a degree or diploma student in the College or Extension divisions, or a young person studying in Mannes Prep. In this second decade of the 21st century, when demands on artists are greater and more complex than ever, Mannes is committed to providing a wide range of exciting learning and knowledge building in partnership with its sister divisions of The New School, including one of the world’s great design schools, Parsons The New School for Design; the liberal arts at Eugene Lang College; public policy, business, and civic engagement in The New School for Public Engagement; and cross disciplinary arts learning at The New School for Jazz and Contemporary Music and The New School for Drama. For more information on Mannes and The New School visit: http://www.newschool.edu/mannes

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13. Mannes Orchestra - Bernard Hermann - Overture - Suite from North by Northwest

Mannes Orchestra - Bernard Hermann - Overture - Suite from North by Northwest

THE MANNES ORCHESTRA: David Hayes, Music Director Friday, September 28, 2012 at 7:30 p.m. Centennial Memorial Temple PROGRAM Symphony No. 44 in E minor Joseph Haydn Allegro con brio (1732-1809) Menuetto: Allegretto Adagio Finale: Presto Suite from North by Northwest (1959) Bernard Herrmann Overture (1911-1975) Conversation Piece The Match Box Mount Rushmore Sequence The Miraculous Mandarin, op. 19 Béla Bartók Allegro: Introduction (1881-1945) Moderato: First decoy game Second decoy game Sostenuto: Third decoy game Maestoso: The Mandarin enters Allegro: The girl sinks down to embrace him Sempre vivace: A wild chase begins David Hayes is a conductor with an unusually broad range of repertory, spanning the symphonic, oratorio/choral, and operatic genres. Mr. Hayes is currently the Music Director of the Mannes Orchestra, Professor of Professional Practice at Mannes College The New School for Music, Staff Conductor of the Curtis Symphony Orchestra, Music Director of The Philadelphia Singers (a professional vocal ensemble) and the newly appointed Music Director of the New York Choral Society. Mr. Hayes recently concluded a decade-long tenure on the conducting staff of The Philadelphia Orchestra (with whom he made his subscription debut in 1993 at the request of Wolfgang Sawallisch). He has also served as a cover conductor for the New York Philharmonic as well as for Sir Andre Previn on the Curtis Symphony Orchestra’s 1999 European Tour with Anne-Sophie Mutter. Recent guest conducting engagements have included leading Britten’s The Rape of Lucretia and the East Coast Premiere performances of Tan Dun’s Tea for the Opera Company of Philadelphia as well as conducting the finals of the Fulbright Piano Competition with the Artosphere Festival Orchestra. The 2011-2012 season saw Mr. Hayes lead: performances of the Mannes Orchestra at Alice Tully Hall and Carnegie Hall (including the New York premiere of Elliott Carter’s Flute Concerto); subscription concerts of The Philadelphia Singers; the Curtis 20/21 ensemble in a concert with Roberto Diaz as soloist in December; serve as lead faculty for the Chorus America National Choral/Orchestral Conducting Masterclass in New York in January 2012; a Curtis Opera Theatre production of Bellini’s I Capuleti e i Montecchi; and the Berkshire Choral Festival for a concert of opera acts by Puccini, Verdi and Bizet. Mr. Hayes’s guest conducting engagements over the past few seasons have included concerts with the Philadelphia Orchestra, the Richmond Symphony Orchestra, the Lancaster (PA) Symphony Orchestra, the Louisiana Philharmonic, The Relâche Ensemble, the Rutgers Orchestra, The Curtis Symphony Orchestra, the Chamber Orchestra of Philadelphia, the Curtis Opera Theatre, the Opera Company of Philadelphia, and a Kennedy Center debut with the Washington Chorus and Orchestra (which includes members of the National Symphony Orchestra). Mr. Hayes has collaborated with some of the world’s finest soloists including: Roberto Diàz, Vladimir Feltsman, Haijing Fu, Evelyn Glennie, Gary Graffman, Hillary Hahn, Jennifer Koh, Meng-Chieh Liu, Alan Morrison, William Burden, Nancy Maultsby, Meredith Arwady and Rinat Shaham. In addition, Mr. Hayes has a strong commitment to nourishing contemporary music and frequently collaborates with composers. Among the notable composers with whom he has collaborated are: Tan Dun, Jennifer Higdon, Ezra Laderman, Sir James MacMillan, Paul Moravec, Bright Sheng, Christopher Theofanidis and Chen Yi, among many others. In the world of popular artists, Mr. Hayes has conducted concerts with Billy Joel, Blue Man Group and John Lithgow. Mr. Hayes made his debut at the Verbier Festival with the Curtis Orchestra and has made several appearances with the Springfield (MA) Symphony Orchestra at the Berkshire Choral Festival. In addition, Mr. Hayes and the Mannes Orchestra continue to make yearly appearances at the Mannes Contemporary Music Festival. THE MANNES ORCHESTRA Violin Katherine Liccardo, Concertmaster A Jin Choi Anna Choi Johannes Chung Caroline Cox Shuaili Du Basma Edrees Delaney Harter Jingyi Hou Young Soo Jang Yoorim Kim Katherine Meyers Meredith Ezinma Ramsay Michael Tropepe Chiung-Hua Tsai Jacqueline Vanasse Emily Vold, principal Yu-Ti Chang Christine Choi Hiu Kai Fan Mara Gerety Anna Hiemstra Trevor Hofelich Shushi Hori Aria Kitaguchi Jess Lo Amy Tan Weilong Wang Xinou Wei Yijia Zhang Viola Samuel Kelder, principal Xue Ding Heather Faust Yi-Li Lai Wen Guan Li Patrick Page Jesus Rodriguez Gonzalez Sarah Thrall Hsin-Yun Yang Taeyoung Yoon Qiyun Zhao Cello Zexun Shen, principal Jeanne Dorche Joseph Gotoff Mark Humburg Monica Ji Sooyoun Lim Ji-Hwon Na In Young Park Jae Hee Park Chan Kyung Jane Park Yoonjin Park Ji-Hyeon Yun Bass Aleksey Klyushnik, principal The Homer Mensch Chair Anthony Bellamy Lea Ivanovic Ryan Koehler Carlin Rizzo Andrew Rogers Yu-Chi Wang Flute Michelle Stockman, principal Seung Jae Yoo, principal Min Jee Kim Juhye Lee Juhyo Lee Sojung Moon Oboe Ellen Hindson, principal Cory Snoddy, principal Cat Cantrell Ron Cohen Mann Evan Sanchez English Horn Phillip Rashkin Clarinet Miles Jaques, principal Yoonah Kim, principal Eric Fung Brian Park Diego Vasquez Jinju Yeo Bassoon Mary Catherine McKee, principal Colin Mannes, principal Peng Zhang Contrabassoon Annamaria Kis Ven Saxophone Robert Harvey Horn Alexander Chin, principal Tsviki Moran, principal Jonathan Carroll David Flaum Merav Goldman Jessica Lombardo Eric Vanderlaan Nicholas Walls Trumpet Alexandria Smith, principal Matthew Brunt David Freides Melanie Gold Daniel Rodriguez Trombone Chia-Hsien Lin, principal Andrew David Nissen, principal Richard Rituper Bass Trombone Daniel Dunford Matthew Winter Tuba Christopher Smith Harp Kathryn Andrews Kristi Shade Piano Alexander Bryson Celeste Stanislav Fridman Timpani Phillip Gallo Austin Holm Percussion Joshua Azenberg Phillip Gallo Austin Holm Maiko Hosoda Jessica Tsang Orchestra Librarians: Christopher Smith, Alexandria Smith, Dong Myung Sohn Orchestra Crew: Eric Fung, Annamaria Kis Ven Director of Instrumental Studies: Chris Gulhaugen Assistant Director of Instrumental Studies: Elizabeth Weisser About Mannes College The New School for Music Mannes College The New School for Music develops the next generation of classical music citizens by combining music conservatory traditions with the cutting-edge advantage of being part of The New School, the nation’s foremost progressive university. Founded in 1916, the Mannes formula for quality education has capitalized on its world-class faculty, location in the heart of the global arts capital, small class size, and a living tradition of rigor and depth that develops strong technique and great artistry. The Mannes ethos forms the basis of a vibrant community, whether you are a degree or diploma student in the College or Extension divisions, or a young person studying in Mannes Prep. In this second decade of the 21st century, when demands on artists are greater and more complex than ever, Mannes is committed to providing a wide range of exciting learning and knowledge building in partnership with its sister divisions of The New School, including one of the world’s great design schools, Parsons The New School for Design; the liberal arts at Eugene Lang College; public policy, business, and civic engagement in The New School for Public Engagement; and cross disciplinary arts learning at The New School for Jazz and Contemporary Music and The New School for Drama. For more information on Mannes and The New School visit: http://www.newschool.edu/mannes

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14. Mannes Orchestra - Bélá Bartok - The Miraculous Mandarin, op. 19

Mannes Orchestra - Bélá Bartok - The Miraculous Mandarin, op. 19

THE MANNES ORCHESTRA: David Hayes, Music Director Friday, September 28, 2012 at 7:30 p.m. Centennial Memorial Temple PROGRAM Symphony No. 44 in E minor Joseph Haydn Allegro con brio (1732-1809) Menuetto: Allegretto Adagio Finale: Presto Suite from North by Northwest (1959) Bernard Herrmann Overture (1911-1975) Conversation Piece The Match Box Mount Rushmore Sequence The Miraculous Mandarin, op. 19 Béla Bartók Allegro: Introduction (1881-1945) Moderato: First decoy game Second decoy game Sostenuto: Third decoy game Maestoso: The Mandarin enters Allegro: The girl sinks down to embrace him Sempre vivace: A wild chase begins David Hayes is a conductor with an unusually broad range of repertory, spanning the symphonic, oratorio/choral, and operatic genres. Mr. Hayes is currently the Music Director of the Mannes Orchestra, Professor of Professional Practice at Mannes College The New School for Music, Staff Conductor of the Curtis Symphony Orchestra, Music Director of The Philadelphia Singers (a professional vocal ensemble) and the newly appointed Music Director of the New York Choral Society. Mr. Hayes recently concluded a decade-long tenure on the conducting staff of The Philadelphia Orchestra (with whom he made his subscription debut in 1993 at the request of Wolfgang Sawallisch). He has also served as a cover conductor for the New York Philharmonic as well as for Sir Andre Previn on the Curtis Symphony Orchestra’s 1999 European Tour with Anne-Sophie Mutter. Recent guest conducting engagements have included leading Britten’s The Rape of Lucretia and the East Coast Premiere performances of Tan Dun’s Tea for the Opera Company of Philadelphia as well as conducting the finals of the Fulbright Piano Competition with the Artosphere Festival Orchestra. The 2011-2012 season saw Mr. Hayes lead: performances of the Mannes Orchestra at Alice Tully Hall and Carnegie Hall (including the New York premiere of Elliott Carter’s Flute Concerto); subscription concerts of The Philadelphia Singers; the Curtis 20/21 ensemble in a concert with Roberto Diaz as soloist in December; serve as lead faculty for the Chorus America National Choral/Orchestral Conducting Masterclass in New York in January 2012; a Curtis Opera Theatre production of Bellini’s I Capuleti e i Montecchi; and the Berkshire Choral Festival for a concert of opera acts by Puccini, Verdi and Bizet. Mr. Hayes’s guest conducting engagements over the past few seasons have included concerts with the Philadelphia Orchestra, the Richmond Symphony Orchestra, the Lancaster (PA) Symphony Orchestra, the Louisiana Philharmonic, The Relâche Ensemble, the Rutgers Orchestra, The Curtis Symphony Orchestra, the Chamber Orchestra of Philadelphia, the Curtis Opera Theatre, the Opera Company of Philadelphia, and a Kennedy Center debut with the Washington Chorus and Orchestra (which includes members of the National Symphony Orchestra). Mr. Hayes has collaborated with some of the world’s finest soloists including: Roberto Diàz, Vladimir Feltsman, Haijing Fu, Evelyn Glennie, Gary Graffman, Hillary Hahn, Jennifer Koh, Meng-Chieh Liu, Alan Morrison, William Burden, Nancy Maultsby, Meredith Arwady and Rinat Shaham. In addition, Mr. Hayes has a strong commitment to nourishing contemporary music and frequently collaborates with composers. Among the notable composers with whom he has collaborated are: Tan Dun, Jennifer Higdon, Ezra Laderman, Sir James MacMillan, Paul Moravec, Bright Sheng, Christopher Theofanidis and Chen Yi, among many others. In the world of popular artists, Mr. Hayes has conducted concerts with Billy Joel, Blue Man Group and John Lithgow. Mr. Hayes made his debut at the Verbier Festival with the Curtis Orchestra and has made several appearances with the Springfield (MA) Symphony Orchestra at the Berkshire Choral Festival. In addition, Mr. Hayes and the Mannes Orchestra continue to make yearly appearances at the Mannes Contemporary Music Festival. THE MANNES ORCHESTRA Violin Katherine Liccardo, Concertmaster A Jin Choi Anna Choi Johannes Chung Caroline Cox Shuaili Du Basma Edrees Delaney Harter Jingyi Hou Young Soo Jang Yoorim Kim Katherine Meyers Meredith Ezinma Ramsay Michael Tropepe Chiung-Hua Tsai Jacqueline Vanasse Emily Vold, principal Yu-Ti Chang Christine Choi Hiu Kai Fan Mara Gerety Anna Hiemstra Trevor Hofelich Shushi Hori Aria Kitaguchi Jess Lo Amy Tan Weilong Wang Xinou Wei Yijia Zhang Viola Samuel Kelder, principal Xue Ding Heather Faust Yi-Li Lai Wen Guan Li Patrick Page Jesus Rodriguez Gonzalez Sarah Thrall Hsin-Yun Yang Taeyoung Yoon Qiyun Zhao Cello Zexun Shen, principal Jeanne Dorche Joseph Gotoff Mark Humburg Monica Ji Sooyoun Lim Ji-Hwon Na In Young Park Jae Hee Park Chan Kyung Jane Park Yoonjin Park Ji-Hyeon Yun Bass Aleksey Klyushnik, principal The Homer Mensch Chair Anthony Bellamy Lea Ivanovic Ryan Koehler Carlin Rizzo Andrew Rogers Yu-Chi Wang Flute Michelle Stockman, principal Seung Jae Yoo, principal Min Jee Kim Juhye Lee Juhyo Lee Sojung Moon Oboe Ellen Hindson, principal Cory Snoddy, principal Cat Cantrell Ron Cohen Mann Evan Sanchez English Horn Phillip Rashkin Clarinet Miles Jaques, principal Yoonah Kim, principal Eric Fung Brian Park Diego Vasquez Jinju Yeo Bassoon Mary Catherine McKee, principal Colin Mannes, principal Peng Zhang Contrabassoon Annamaria Kis Ven Saxophone Robert Harvey Horn Alexander Chin, principal Tsviki Moran, principal Jonathan Carroll David Flaum Merav Goldman Jessica Lombardo Eric Vanderlaan Nicholas Walls Trumpet Alexandria Smith, principal Matthew Brunt David Freides Melanie Gold Daniel Rodriguez Trombone Chia-Hsien Lin, principal Andrew David Nissen, principal Richard Rituper Bass Trombone Daniel Dunford Matthew Winter Tuba Christopher Smith Harp Kathryn Andrews Kristi Shade Piano Alexander Bryson Celeste Stanislav Fridman Timpani Phillip Gallo Austin Holm Percussion Joshua Azenberg Phillip Gallo Austin Holm Maiko Hosoda Jessica Tsang Orchestra Librarians: Christopher Smith, Alexandria Smith, Dong Myung Sohn Orchestra Crew: Eric Fung, Annamaria Kis Ven Director of Instrumental Studies: Chris Gulhaugen Assistant Director of Instrumental Studies: Elizabeth Weisser About Mannes College The New School for Music Mannes College The New School for Music develops the next generation of classical music citizens by combining music conservatory traditions with the cutting-edge advantage of being part of The New School, the nation’s foremost progressive university. Founded in 1916, the Mannes formula for quality education has capitalized on its world-class faculty, location in the heart of the global arts capital, small class size, and a living tradition of rigor and depth that develops strong technique and great artistry. The Mannes ethos forms the basis of a vibrant community, whether you are a degree or diploma student in the College or Extension divisions, or a young person studying in Mannes Prep. In this second decade of the 21st century, when demands on artists are greater and more complex than ever, Mannes is committed to providing a wide range of exciting learning and knowledge building in partnership with its sister divisions of The New School, including one of the world’s great design schools, Parsons The New School for Design; the liberal arts at Eugene Lang College; public policy, business, and civic engagement in The New School for Public Engagement; and cross disciplinary arts learning at The New School for Jazz and Contemporary Music and The New School for Drama. For more information on Mannes and The New School visit: http://www.newschool.edu/mannes

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15. Mannes Orchestra - Joseph Haydn - Finale - Symphony No. 44 in E minor

Mannes Orchestra - Joseph Haydn - Finale - Symphony No. 44 in E minor

THE MANNES ORCHESTRA: David Hayes, Music Director Friday, September 28, 2012 at 7:30 p.m. Centennial Memorial Temple PROGRAM Symphony No. 44 in E minor Joseph Haydn Allegro con brio (1732-1809) Menuetto: Allegretto Adagio Finale: Presto Suite from North by Northwest (1959) Bernard Herrmann Overture (1911-1975) Conversation Piece The Match Box Mount Rushmore Sequence The Miraculous Mandarin, op. 19 Béla Bartók Allegro: Introduction (1881-1945) Moderato: First decoy game Second decoy game Sostenuto: Third decoy game Maestoso: The Mandarin enters Allegro: The girl sinks down to embrace him Sempre vivace: A wild chase begins David Hayes is a conductor with an unusually broad range of repertory, spanning the symphonic, oratorio/choral, and operatic genres. Mr. Hayes is currently the Music Director of the Mannes Orchestra, Professor of Professional Practice at Mannes College The New School for Music, Staff Conductor of the Curtis Symphony Orchestra, Music Director of The Philadelphia Singers (a professional vocal ensemble) and the newly appointed Music Director of the New York Choral Society. Mr. Hayes recently concluded a decade-long tenure on the conducting staff of The Philadelphia Orchestra (with whom he made his subscription debut in 1993 at the request of Wolfgang Sawallisch). He has also served as a cover conductor for the New York Philharmonic as well as for Sir Andre Previn on the Curtis Symphony Orchestra’s 1999 European Tour with Anne-Sophie Mutter. Recent guest conducting engagements have included leading Britten’s The Rape of Lucretia and the East Coast Premiere performances of Tan Dun’s Tea for the Opera Company of Philadelphia as well as conducting the finals of the Fulbright Piano Competition with the Artosphere Festival Orchestra. The 2011-2012 season saw Mr. Hayes lead: performances of the Mannes Orchestra at Alice Tully Hall and Carnegie Hall (including the New York premiere of Elliott Carter’s Flute Concerto); subscription concerts of The Philadelphia Singers; the Curtis 20/21 ensemble in a concert with Roberto Diaz as soloist in December; serve as lead faculty for the Chorus America National Choral/Orchestral Conducting Masterclass in New York in January 2012; a Curtis Opera Theatre production of Bellini’s I Capuleti e i Montecchi; and the Berkshire Choral Festival for a concert of opera acts by Puccini, Verdi and Bizet. Mr. Hayes’s guest conducting engagements over the past few seasons have included concerts with the Philadelphia Orchestra, the Richmond Symphony Orchestra, the Lancaster (PA) Symphony Orchestra, the Louisiana Philharmonic, The Relâche Ensemble, the Rutgers Orchestra, The Curtis Symphony Orchestra, the Chamber Orchestra of Philadelphia, the Curtis Opera Theatre, the Opera Company of Philadelphia, and a Kennedy Center debut with the Washington Chorus and Orchestra (which includes members of the National Symphony Orchestra). Mr. Hayes has collaborated with some of the world’s finest soloists including: Roberto Diàz, Vladimir Feltsman, Haijing Fu, Evelyn Glennie, Gary Graffman, Hillary Hahn, Jennifer Koh, Meng-Chieh Liu, Alan Morrison, William Burden, Nancy Maultsby, Meredith Arwady and Rinat Shaham. In addition, Mr. Hayes has a strong commitment to nourishing contemporary music and frequently collaborates with composers. Among the notable composers with whom he has collaborated are: Tan Dun, Jennifer Higdon, Ezra Laderman, Sir James MacMillan, Paul Moravec, Bright Sheng, Christopher Theofanidis and Chen Yi, among many others. In the world of popular artists, Mr. Hayes has conducted concerts with Billy Joel, Blue Man Group and John Lithgow. Mr. Hayes made his debut at the Verbier Festival with the Curtis Orchestra and has made several appearances with the Springfield (MA) Symphony Orchestra at the Berkshire Choral Festival. In addition, Mr. Hayes and the Mannes Orchestra continue to make yearly appearances at the Mannes Contemporary Music Festival. THE MANNES ORCHESTRA Violin Katherine Liccardo, Concertmaster A Jin Choi Anna Choi Johannes Chung Caroline Cox Shuaili Du Basma Edrees Delaney Harter Jingyi Hou Young Soo Jang Yoorim Kim Katherine Meyers Meredith Ezinma Ramsay Michael Tropepe Chiung-Hua Tsai Jacqueline Vanasse Emily Vold, principal Yu-Ti Chang Christine Choi Hiu Kai Fan Mara Gerety Anna Hiemstra Trevor Hofelich Shushi Hori Aria Kitaguchi Jess Lo Amy Tan Weilong Wang Xinou Wei Yijia Zhang Viola Samuel Kelder, principal Xue Ding Heather Faust Yi-Li Lai Wen Guan Li Patrick Page Jesus Rodriguez Gonzalez Sarah Thrall Hsin-Yun Yang Taeyoung Yoon Qiyun Zhao Cello Zexun Shen, principal Jeanne Dorche Joseph Gotoff Mark Humburg Monica Ji Sooyoun Lim Ji-Hwon Na In Young Park Jae Hee Park Chan Kyung Jane Park Yoonjin Park Ji-Hyeon Yun Bass Aleksey Klyushnik, principal The Homer Mensch Chair Anthony Bellamy Lea Ivanovic Ryan Koehler Carlin Rizzo Andrew Rogers Yu-Chi Wang Flute Michelle Stockman, principal Seung Jae Yoo, principal Min Jee Kim Juhye Lee Juhyo Lee Sojung Moon Oboe Ellen Hindson, principal Cory Snoddy, principal Cat Cantrell Ron Cohen Mann Evan Sanchez English Horn Phillip Rashkin Clarinet Miles Jaques, principal Yoonah Kim, principal Eric Fung Brian Park Diego Vasquez Jinju Yeo Bassoon Mary Catherine McKee, principal Colin Mannes, principal Peng Zhang Contrabassoon Annamaria Kis Ven Saxophone Robert Harvey Horn Alexander Chin, principal Tsviki Moran, principal Jonathan Carroll David Flaum Merav Goldman Jessica Lombardo Eric Vanderlaan Nicholas Walls Trumpet Alexandria Smith, principal Matthew Brunt David Freides Melanie Gold Daniel Rodriguez Trombone Chia-Hsien Lin, principal Andrew David Nissen, principal Richard Rituper Bass Trombone Daniel Dunford Matthew Winter Tuba Christopher Smith Harp Kathryn Andrews Kristi Shade Piano Alexander Bryson Celeste Stanislav Fridman Timpani Phillip Gallo Austin Holm Percussion Joshua Azenberg Phillip Gallo Austin Holm Maiko Hosoda Jessica Tsang Orchestra Librarians: Christopher Smith, Alexandria Smith, Dong Myung Sohn Orchestra Crew: Eric Fung, Annamaria Kis Ven Director of Instrumental Studies: Chris Gulhaugen Assistant Director of Instrumental Studies: Elizabeth Weisser About Mannes College The New School for Music Mannes College The New School for Music develops the next generation of classical music citizens by combining music conservatory traditions with the cutting-edge advantage of being part of The New School, the nation’s foremost progressive university. Founded in 1916, the Mannes formula for quality education has capitalized on its world-class faculty, location in the heart of the global arts capital, small class size, and a living tradition of rigor and depth that develops strong technique and great artistry. The Mannes ethos forms the basis of a vibrant community, whether you are a degree or diploma student in the College or Extension divisions, or a young person studying in Mannes Prep. In this second decade of the 21st century, when demands on artists are greater and more complex than ever, Mannes is committed to providing a wide range of exciting learning and knowledge building in partnership with its sister divisions of The New School, including one of the world’s great design schools, Parsons The New School for Design; the liberal arts at Eugene Lang College; public policy, business, and civic engagement in The New School for Public Engagement; and cross disciplinary arts learning at The New School for Jazz and Contemporary Music and The New School for Drama. For more information on Mannes and The New School visit: http://www.newschool.edu/mannes

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16. Mannes Orchestra - Joseph Haydn - Adagio - Symphony No. 44 in E minor

Mannes Orchestra - Joseph Haydn - Adagio - Symphony No. 44 in E minor

THE MANNES ORCHESTRA: David Hayes, Music Director Friday, September 28, 2012 at 7:30 p.m. Centennial Memorial Temple PROGRAM Symphony No. 44 in E minor Joseph Haydn Allegro con brio (1732-1809) Menuetto: Allegretto Adagio Finale: Presto Suite from North by Northwest (1959) Bernard Herrmann Overture (1911-1975) Conversation Piece The Match Box Mount Rushmore Sequence The Miraculous Mandarin, op. 19 Béla Bartók Allegro: Introduction (1881-1945) Moderato: First decoy game Second decoy game Sostenuto: Third decoy game Maestoso: The Mandarin enters Allegro: The girl sinks down to embrace him Sempre vivace: A wild chase begins David Hayes is a conductor with an unusually broad range of repertory, spanning the symphonic, oratorio/choral, and operatic genres. Mr. Hayes is currently the Music Director of the Mannes Orchestra, Professor of Professional Practice at Mannes College The New School for Music, Staff Conductor of the Curtis Symphony Orchestra, Music Director of The Philadelphia Singers (a professional vocal ensemble) and the newly appointed Music Director of the New York Choral Society. Mr. Hayes recently concluded a decade-long tenure on the conducting staff of The Philadelphia Orchestra (with whom he made his subscription debut in 1993 at the request of Wolfgang Sawallisch). He has also served as a cover conductor for the New York Philharmonic as well as for Sir Andre Previn on the Curtis Symphony Orchestra’s 1999 European Tour with Anne-Sophie Mutter. Recent guest conducting engagements have included leading Britten’s The Rape of Lucretia and the East Coast Premiere performances of Tan Dun’s Tea for the Opera Company of Philadelphia as well as conducting the finals of the Fulbright Piano Competition with the Artosphere Festival Orchestra. The 2011-2012 season saw Mr. Hayes lead: performances of the Mannes Orchestra at Alice Tully Hall and Carnegie Hall (including the New York premiere of Elliott Carter’s Flute Concerto); subscription concerts of The Philadelphia Singers; the Curtis 20/21 ensemble in a concert with Roberto Diaz as soloist in December; serve as lead faculty for the Chorus America National Choral/Orchestral Conducting Masterclass in New York in January 2012; a Curtis Opera Theatre production of Bellini’s I Capuleti e i Montecchi; and the Berkshire Choral Festival for a concert of opera acts by Puccini, Verdi and Bizet. Mr. Hayes’s guest conducting engagements over the past few seasons have included concerts with the Philadelphia Orchestra, the Richmond Symphony Orchestra, the Lancaster (PA) Symphony Orchestra, the Louisiana Philharmonic, The Relâche Ensemble, the Rutgers Orchestra, The Curtis Symphony Orchestra, the Chamber Orchestra of Philadelphia, the Curtis Opera Theatre, the Opera Company of Philadelphia, and a Kennedy Center debut with the Washington Chorus and Orchestra (which includes members of the National Symphony Orchestra). Mr. Hayes has collaborated with some of the world’s finest soloists including: Roberto Diàz, Vladimir Feltsman, Haijing Fu, Evelyn Glennie, Gary Graffman, Hillary Hahn, Jennifer Koh, Meng-Chieh Liu, Alan Morrison, William Burden, Nancy Maultsby, Meredith Arwady and Rinat Shaham. In addition, Mr. Hayes has a strong commitment to nourishing contemporary music and frequently collaborates with composers. Among the notable composers with whom he has collaborated are: Tan Dun, Jennifer Higdon, Ezra Laderman, Sir James MacMillan, Paul Moravec, Bright Sheng, Christopher Theofanidis and Chen Yi, among many others. In the world of popular artists, Mr. Hayes has conducted concerts with Billy Joel, Blue Man Group and John Lithgow. Mr. Hayes made his debut at the Verbier Festival with the Curtis Orchestra and has made several appearances with the Springfield (MA) Symphony Orchestra at the Berkshire Choral Festival. In addition, Mr. Hayes and the Mannes Orchestra continue to make yearly appearances at the Mannes Contemporary Music Festival. THE MANNES ORCHESTRA Violin Katherine Liccardo, Concertmaster A Jin Choi Anna Choi Johannes Chung Caroline Cox Shuaili Du Basma Edrees Delaney Harter Jingyi Hou Young Soo Jang Yoorim Kim Katherine Meyers Meredith Ezinma Ramsay Michael Tropepe Chiung-Hua Tsai Jacqueline Vanasse Emily Vold, principal Yu-Ti Chang Christine Choi Hiu Kai Fan Mara Gerety Anna Hiemstra Trevor Hofelich Shushi Hori Aria Kitaguchi Jess Lo Amy Tan Weilong Wang Xinou Wei Yijia Zhang Viola Samuel Kelder, principal Xue Ding Heather Faust Yi-Li Lai Wen Guan Li Patrick Page Jesus Rodriguez Gonzalez Sarah Thrall Hsin-Yun Yang Taeyoung Yoon Qiyun Zhao Cello Zexun Shen, principal Jeanne Dorche Joseph Gotoff Mark Humburg Monica Ji Sooyoun Lim Ji-Hwon Na In Young Park Jae Hee Park Chan Kyung Jane Park Yoonjin Park Ji-Hyeon Yun Bass Aleksey Klyushnik, principal The Homer Mensch Chair Anthony Bellamy Lea Ivanovic Ryan Koehler Carlin Rizzo Andrew Rogers Yu-Chi Wang Flute Michelle Stockman, principal Seung Jae Yoo, principal Min Jee Kim Juhye Lee Juhyo Lee Sojung Moon Oboe Ellen Hindson, principal Cory Snoddy, principal Cat Cantrell Ron Cohen Mann Evan Sanchez English Horn Phillip Rashkin Clarinet Miles Jaques, principal Yoonah Kim, principal Eric Fung Brian Park Diego Vasquez Jinju Yeo Bassoon Mary Catherine McKee, principal Colin Mannes, principal Peng Zhang Contrabassoon Annamaria Kis Ven Saxophone Robert Harvey Horn Alexander Chin, principal Tsviki Moran, principal Jonathan Carroll David Flaum Merav Goldman Jessica Lombardo Eric Vanderlaan Nicholas Walls Trumpet Alexandria Smith, principal Matthew Brunt David Freides Melanie Gold Daniel Rodriguez Trombone Chia-Hsien Lin, principal Andrew David Nissen, principal Richard Rituper Bass Trombone Daniel Dunford Matthew Winter Tuba Christopher Smith Harp Kathryn Andrews Kristi Shade Piano Alexander Bryson Celeste Stanislav Fridman Timpani Phillip Gallo Austin Holm Percussion Joshua Azenberg Phillip Gallo Austin Holm Maiko Hosoda Jessica Tsang Orchestra Librarians: Christopher Smith, Alexandria Smith, Dong Myung Sohn Orchestra Crew: Eric Fung, Annamaria Kis Ven Director of Instrumental Studies: Chris Gulhaugen Assistant Director of Instrumental Studies: Elizabeth Weisser About Mannes College The New School for Music Mannes College The New School for Music develops the next generation of classical music citizens by combining music conservatory traditions with the cutting-edge advantage of being part of The New School, the nation’s foremost progressive university. Founded in 1916, the Mannes formula for quality education has capitalized on its world-class faculty, location in the heart of the global arts capital, small class size, and a living tradition of rigor and depth that develops strong technique and great artistry. The Mannes ethos forms the basis of a vibrant community, whether you are a degree or diploma student in the College or Extension divisions, or a young person studying in Mannes Prep. In this second decade of the 21st century, when demands on artists are greater and more complex than ever, Mannes is committed to providing a wide range of exciting learning and knowledge building in partnership with its sister divisions of The New School, including one of the world’s great design schools, Parsons The New School for Design; the liberal arts at Eugene Lang College; public policy, business, and civic engagement in The New School for Public Engagement; and cross disciplinary arts learning at The New School for Jazz and Contemporary Music and The New School for Drama. For more information on Mannes and The New School visit: http://www.newschool.edu/mannes

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17. Mannes Orchestra - Bernard Hermann - Mount Rushmore Sequence - Suite from North by Northwest

Mannes Orchestra - Bernard Hermann - Mount Rushmore Sequence - Suite from North by Northwest

THE MANNES ORCHESTRA: David Hayes, Music Director Friday, September 28, 2012 at 7:30 p.m. Centennial Memorial Temple PROGRAM Symphony No. 44 in E minor Joseph Haydn Allegro con brio (1732-1809) Menuetto: Allegretto Adagio Finale: Presto Suite from North by Northwest (1959) Bernard Herrmann Overture (1911-1975) Conversation Piece The Match Box Mount Rushmore Sequence The Miraculous Mandarin, op. 19 Béla Bartók Allegro: Introduction (1881-1945) Moderato: First decoy game Second decoy game Sostenuto: Third decoy game Maestoso: The Mandarin enters Allegro: The girl sinks down to embrace him Sempre vivace: A wild chase begins David Hayes is a conductor with an unusually broad range of repertory, spanning the symphonic, oratorio/choral, and operatic genres. Mr. Hayes is currently the Music Director of the Mannes Orchestra, Professor of Professional Practice at Mannes College The New School for Music, Staff Conductor of the Curtis Symphony Orchestra, Music Director of The Philadelphia Singers (a professional vocal ensemble) and the newly appointed Music Director of the New York Choral Society. Mr. Hayes recently concluded a decade-long tenure on the conducting staff of The Philadelphia Orchestra (with whom he made his subscription debut in 1993 at the request of Wolfgang Sawallisch). He has also served as a cover conductor for the New York Philharmonic as well as for Sir Andre Previn on the Curtis Symphony Orchestra’s 1999 European Tour with Anne-Sophie Mutter. Recent guest conducting engagements have included leading Britten’s The Rape of Lucretia and the East Coast Premiere performances of Tan Dun’s Tea for the Opera Company of Philadelphia as well as conducting the finals of the Fulbright Piano Competition with the Artosphere Festival Orchestra. The 2011-2012 season saw Mr. Hayes lead: performances of the Mannes Orchestra at Alice Tully Hall and Carnegie Hall (including the New York premiere of Elliott Carter’s Flute Concerto); subscription concerts of The Philadelphia Singers; the Curtis 20/21 ensemble in a concert with Roberto Diaz as soloist in December; serve as lead faculty for the Chorus America National Choral/Orchestral Conducting Masterclass in New York in January 2012; a Curtis Opera Theatre production of Bellini’s I Capuleti e i Montecchi; and the Berkshire Choral Festival for a concert of opera acts by Puccini, Verdi and Bizet. Mr. Hayes’s guest conducting engagements over the past few seasons have included concerts with the Philadelphia Orchestra, the Richmond Symphony Orchestra, the Lancaster (PA) Symphony Orchestra, the Louisiana Philharmonic, The Relâche Ensemble, the Rutgers Orchestra, The Curtis Symphony Orchestra, the Chamber Orchestra of Philadelphia, the Curtis Opera Theatre, the Opera Company of Philadelphia, and a Kennedy Center debut with the Washington Chorus and Orchestra (which includes members of the National Symphony Orchestra). Mr. Hayes has collaborated with some of the world’s finest soloists including: Roberto Diàz, Vladimir Feltsman, Haijing Fu, Evelyn Glennie, Gary Graffman, Hillary Hahn, Jennifer Koh, Meng-Chieh Liu, Alan Morrison, William Burden, Nancy Maultsby, Meredith Arwady and Rinat Shaham. In addition, Mr. Hayes has a strong commitment to nourishing contemporary music and frequently collaborates with composers. Among the notable composers with whom he has collaborated are: Tan Dun, Jennifer Higdon, Ezra Laderman, Sir James MacMillan, Paul Moravec, Bright Sheng, Christopher Theofanidis and Chen Yi, among many others. In the world of popular artists, Mr. Hayes has conducted concerts with Billy Joel, Blue Man Group and John Lithgow. Mr. Hayes made his debut at the Verbier Festival with the Curtis Orchestra and has made several appearances with the Springfield (MA) Symphony Orchestra at the Berkshire Choral Festival. In addition, Mr. Hayes and the Mannes Orchestra continue to make yearly appearances at the Mannes Contemporary Music Festival. THE MANNES ORCHESTRA Violin Katherine Liccardo, Concertmaster A Jin Choi Anna Choi Johannes Chung Caroline Cox Shuaili Du Basma Edrees Delaney Harter Jingyi Hou Young Soo Jang Yoorim Kim Katherine Meyers Meredith Ezinma Ramsay Michael Tropepe Chiung-Hua Tsai Jacqueline Vanasse Emily Vold, principal Yu-Ti Chang Christine Choi Hiu Kai Fan Mara Gerety Anna Hiemstra Trevor Hofelich Shushi Hori Aria Kitaguchi Jess Lo Amy Tan Weilong Wang Xinou Wei Yijia Zhang Viola Samuel Kelder, principal Xue Ding Heather Faust Yi-Li Lai Wen Guan Li Patrick Page Jesus Rodriguez Gonzalez Sarah Thrall Hsin-Yun Yang Taeyoung Yoon Qiyun Zhao Cello Zexun Shen, principal Jeanne Dorche Joseph Gotoff Mark Humburg Monica Ji Sooyoun Lim Ji-Hwon Na In Young Park Jae Hee Park Chan Kyung Jane Park Yoonjin Park Ji-Hyeon Yun Bass Aleksey Klyushnik, principal The Homer Mensch Chair Anthony Bellamy Lea Ivanovic Ryan Koehler Carlin Rizzo Andrew Rogers Yu-Chi Wang Flute Michelle Stockman, principal Seung Jae Yoo, principal Min Jee Kim Juhye Lee Juhyo Lee Sojung Moon Oboe Ellen Hindson, principal Cory Snoddy, principal Cat Cantrell Ron Cohen Mann Evan Sanchez English Horn Phillip Rashkin Clarinet Miles Jaques, principal Yoonah Kim, principal Eric Fung Brian Park Diego Vasquez Jinju Yeo Bassoon Mary Catherine McKee, principal Colin Mannes, principal Peng Zhang Contrabassoon Annamaria Kis Ven Saxophone Robert Harvey Horn Alexander Chin, principal Tsviki Moran, principal Jonathan Carroll David Flaum Merav Goldman Jessica Lombardo Eric Vanderlaan Nicholas Walls Trumpet Alexandria Smith, principal Matthew Brunt David Freides Melanie Gold Daniel Rodriguez Trombone Chia-Hsien Lin, principal Andrew David Nissen, principal Richard Rituper Bass Trombone Daniel Dunford Matthew Winter Tuba Christopher Smith Harp Kathryn Andrews Kristi Shade Piano Alexander Bryson Celeste Stanislav Fridman Timpani Phillip Gallo Austin Holm Percussion Joshua Azenberg Phillip Gallo Austin Holm Maiko Hosoda Jessica Tsang Orchestra Librarians: Christopher Smith, Alexandria Smith, Dong Myung Sohn Orchestra Crew: Eric Fung, Annamaria Kis Ven Director of Instrumental Studies: Chris Gulhaugen Assistant Director of Instrumental Studies: Elizabeth Weisser About Mannes College The New School for Music Mannes College The New School for Music develops the next generation of classical music citizens by combining music conservatory traditions with the cutting-edge advantage of being part of The New School, the nation’s foremost progressive university. Founded in 1916, the Mannes formula for quality education has capitalized on its world-class faculty, location in the heart of the global arts capital, small class size, and a living tradition of rigor and depth that develops strong technique and great artistry. The Mannes ethos forms the basis of a vibrant community, whether you are a degree or diploma student in the College or Extension divisions, or a young person studying in Mannes Prep. In this second decade of the 21st century, when demands on artists are greater and more complex than ever, Mannes is committed to providing a wide range of exciting learning and knowledge building in partnership with its sister divisions of The New School, including one of the world’s great design schools, Parsons The New School for Design; the liberal arts at Eugene Lang College; public policy, business, and civic engagement in The New School for Public Engagement; and cross disciplinary arts learning at The New School for Jazz and Contemporary Music and The New School for Drama. For more information on Mannes and The New School visit: http://www.newschool.edu/mannes

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18. Mannes Orchestra - Joseph Haydn - Menuetto - Symphony No. 44 in E minor

Mannes Orchestra - Joseph Haydn - Menuetto - Symphony No. 44 in E minor

THE MANNES ORCHESTRA: David Hayes, Music Director Friday, September 28, 2012 at 7:30 p.m. Centennial Memorial Temple PROGRAM Symphony No. 44 in E minor Joseph Haydn Allegro con brio (1732-1809) Menuetto: Allegretto Adagio Finale: Presto Suite from North by Northwest (1959) Bernard Herrmann Overture (1911-1975) Conversation Piece The Match Box Mount Rushmore Sequence The Miraculous Mandarin, op. 19 Béla Bartók Allegro: Introduction (1881-1945) Moderato: First decoy game Second decoy game Sostenuto: Third decoy game Maestoso: The Mandarin enters Allegro: The girl sinks down to embrace him Sempre vivace: A wild chase begins David Hayes is a conductor with an unusually broad range of repertory, spanning the symphonic, oratorio/choral, and operatic genres. Mr. Hayes is currently the Music Director of the Mannes Orchestra, Professor of Professional Practice at Mannes College The New School for Music, Staff Conductor of the Curtis Symphony Orchestra, Music Director of The Philadelphia Singers (a professional vocal ensemble) and the newly appointed Music Director of the New York Choral Society. Mr. Hayes recently concluded a decade-long tenure on the conducting staff of The Philadelphia Orchestra (with whom he made his subscription debut in 1993 at the request of Wolfgang Sawallisch). He has also served as a cover conductor for the New York Philharmonic as well as for Sir Andre Previn on the Curtis Symphony Orchestra’s 1999 European Tour with Anne-Sophie Mutter. Recent guest conducting engagements have included leading Britten’s The Rape of Lucretia and the East Coast Premiere performances of Tan Dun’s Tea for the Opera Company of Philadelphia as well as conducting the finals of the Fulbright Piano Competition with the Artosphere Festival Orchestra. The 2011-2012 season saw Mr. Hayes lead: performances of the Mannes Orchestra at Alice Tully Hall and Carnegie Hall (including the New York premiere of Elliott Carter’s Flute Concerto); subscription concerts of The Philadelphia Singers; the Curtis 20/21 ensemble in a concert with Roberto Diaz as soloist in December; serve as lead faculty for the Chorus America National Choral/Orchestral Conducting Masterclass in New York in January 2012; a Curtis Opera Theatre production of Bellini’s I Capuleti e i Montecchi; and the Berkshire Choral Festival for a concert of opera acts by Puccini, Verdi and Bizet. Mr. Hayes’s guest conducting engagements over the past few seasons have included concerts with the Philadelphia Orchestra, the Richmond Symphony Orchestra, the Lancaster (PA) Symphony Orchestra, the Louisiana Philharmonic, The Relâche Ensemble, the Rutgers Orchestra, The Curtis Symphony Orchestra, the Chamber Orchestra of Philadelphia, the Curtis Opera Theatre, the Opera Company of Philadelphia, and a Kennedy Center debut with the Washington Chorus and Orchestra (which includes members of the National Symphony Orchestra). Mr. Hayes has collaborated with some of the world’s finest soloists including: Roberto Diàz, Vladimir Feltsman, Haijing Fu, Evelyn Glennie, Gary Graffman, Hillary Hahn, Jennifer Koh, Meng-Chieh Liu, Alan Morrison, William Burden, Nancy Maultsby, Meredith Arwady and Rinat Shaham. In addition, Mr. Hayes has a strong commitment to nourishing contemporary music and frequently collaborates with composers. Among the notable composers with whom he has collaborated are: Tan Dun, Jennifer Higdon, Ezra Laderman, Sir James MacMillan, Paul Moravec, Bright Sheng, Christopher Theofanidis and Chen Yi, among many others. In the world of popular artists, Mr. Hayes has conducted concerts with Billy Joel, Blue Man Group and John Lithgow. Mr. Hayes made his debut at the Verbier Festival with the Curtis Orchestra and has made several appearances with the Springfield (MA) Symphony Orchestra at the Berkshire Choral Festival. In addition, Mr. Hayes and the Mannes Orchestra continue to make yearly appearances at the Mannes Contemporary Music Festival. THE MANNES ORCHESTRA Violin Katherine Liccardo, Concertmaster A Jin Choi Anna Choi Johannes Chung Caroline Cox Shuaili Du Basma Edrees Delaney Harter Jingyi Hou Young Soo Jang Yoorim Kim Katherine Meyers Meredith Ezinma Ramsay Michael Tropepe Chiung-Hua Tsai Jacqueline Vanasse Emily Vold, principal Yu-Ti Chang Christine Choi Hiu Kai Fan Mara Gerety Anna Hiemstra Trevor Hofelich Shushi Hori Aria Kitaguchi Jess Lo Amy Tan Weilong Wang Xinou Wei Yijia Zhang Viola Samuel Kelder, principal Xue Ding Heather Faust Yi-Li Lai Wen Guan Li Patrick Page Jesus Rodriguez Gonzalez Sarah Thrall Hsin-Yun Yang Taeyoung Yoon Qiyun Zhao Cello Zexun Shen, principal Jeanne Dorche Joseph Gotoff Mark Humburg Monica Ji Sooyoun Lim Ji-Hwon Na In Young Park Jae Hee Park Chan Kyung Jane Park Yoonjin Park Ji-Hyeon Yun Bass Aleksey Klyushnik, principal The Homer Mensch Chair Anthony Bellamy Lea Ivanovic Ryan Koehler Carlin Rizzo Andrew Rogers Yu-Chi Wang Flute Michelle Stockman, principal Seung Jae Yoo, principal Min Jee Kim Juhye Lee Juhyo Lee Sojung Moon Oboe Ellen Hindson, principal Cory Snoddy, principal Cat Cantrell Ron Cohen Mann Evan Sanchez English Horn Phillip Rashkin Clarinet Miles Jaques, principal Yoonah Kim, principal Eric Fung Brian Park Diego Vasquez Jinju Yeo Bassoon Mary Catherine McKee, principal Colin Mannes, principal Peng Zhang Contrabassoon Annamaria Kis Ven Saxophone Robert Harvey Horn Alexander Chin, principal Tsviki Moran, principal Jonathan Carroll David Flaum Merav Goldman Jessica Lombardo Eric Vanderlaan Nicholas Walls Trumpet Alexandria Smith, principal Matthew Brunt David Freides Melanie Gold Daniel Rodriguez Trombone Chia-Hsien Lin, principal Andrew David Nissen, principal Richard Rituper Bass Trombone Daniel Dunford Matthew Winter Tuba Christopher Smith Harp Kathryn Andrews Kristi Shade Piano Alexander Bryson Celeste Stanislav Fridman Timpani Phillip Gallo Austin Holm Percussion Joshua Azenberg Phillip Gallo Austin Holm Maiko Hosoda Jessica Tsang Orchestra Librarians: Christopher Smith, Alexandria Smith, Dong Myung Sohn Orchestra Crew: Eric Fung, Annamaria Kis Ven Director of Instrumental Studies: Chris Gulhaugen Assistant Director of Instrumental Studies: Elizabeth Weisser About Mannes College The New School for Music Mannes College The New School for Music develops the next generation of classical music citizens by combining music conservatory traditions with the cutting-edge advantage of being part of The New School, the nation’s foremost progressive university. Founded in 1916, the Mannes formula for quality education has capitalized on its world-class faculty, location in the heart of the global arts capital, small class size, and a living tradition of rigor and depth that develops strong technique and great artistry. The Mannes ethos forms the basis of a vibrant community, whether you are a degree or diploma student in the College or Extension divisions, or a young person studying in Mannes Prep. In this second decade of the 21st century, when demands on artists are greater and more complex than ever, Mannes is committed to providing a wide range of exciting learning and knowledge building in partnership with its sister divisions of The New School, including one of the world’s great design schools, Parsons The New School for Design; the liberal arts at Eugene Lang College; public policy, business, and civic engagement in The New School for Public Engagement; and cross disciplinary arts learning at The New School for Jazz and Contemporary Music and The New School for Drama. For more information on Mannes and The New School visit: http://www.newschool.edu/mannes

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19. Mannes Orchestra - Bernard Hermann - The Match Box- Suite from North by Northwest

Mannes Orchestra - Bernard Hermann - The Match Box- Suite from North by Northwest

THE MANNES ORCHESTRA: David Hayes, Music Director Friday, September 28, 2012 at 7:30 p.m. Centennial Memorial Temple PROGRAM Symphony No. 44 in E minor Joseph Haydn Allegro con brio (1732-1809) Menuetto: Allegretto Adagio Finale: Presto Suite from North by Northwest (1959) Bernard Herrmann Overture (1911-1975) Conversation Piece The Match Box Mount Rushmore Sequence The Miraculous Mandarin, op. 19 Béla Bartók Allegro: Introduction (1881-1945) Moderato: First decoy game Second decoy game Sostenuto: Third decoy game Maestoso: The Mandarin enters Allegro: The girl sinks down to embrace him Sempre vivace: A wild chase begins David Hayes is a conductor with an unusually broad range of repertory, spanning the symphonic, oratorio/choral, and operatic genres. Mr. Hayes is currently the Music Director of the Mannes Orchestra, Professor of Professional Practice at Mannes College The New School for Music, Staff Conductor of the Curtis Symphony Orchestra, Music Director of The Philadelphia Singers (a professional vocal ensemble) and the newly appointed Music Director of the New York Choral Society. Mr. Hayes recently concluded a decade-long tenure on the conducting staff of The Philadelphia Orchestra (with whom he made his subscription debut in 1993 at the request of Wolfgang Sawallisch). He has also served as a cover conductor for the New York Philharmonic as well as for Sir Andre Previn on the Curtis Symphony Orchestra’s 1999 European Tour with Anne-Sophie Mutter. Recent guest conducting engagements have included leading Britten’s The Rape of Lucretia and the East Coast Premiere performances of Tan Dun’s Tea for the Opera Company of Philadelphia as well as conducting the finals of the Fulbright Piano Competition with the Artosphere Festival Orchestra. The 2011-2012 season saw Mr. Hayes lead: performances of the Mannes Orchestra at Alice Tully Hall and Carnegie Hall (including the New York premiere of Elliott Carter’s Flute Concerto); subscription concerts of The Philadelphia Singers; the Curtis 20/21 ensemble in a concert with Roberto Diaz as soloist in December; serve as lead faculty for the Chorus America National Choral/Orchestral Conducting Masterclass in New York in January 2012; a Curtis Opera Theatre production of Bellini’s I Capuleti e i Montecchi; and the Berkshire Choral Festival for a concert of opera acts by Puccini, Verdi and Bizet. Mr. Hayes’s guest conducting engagements over the past few seasons have included concerts with the Philadelphia Orchestra, the Richmond Symphony Orchestra, the Lancaster (PA) Symphony Orchestra, the Louisiana Philharmonic, The Relâche Ensemble, the Rutgers Orchestra, The Curtis Symphony Orchestra, the Chamber Orchestra of Philadelphia, the Curtis Opera Theatre, the Opera Company of Philadelphia, and a Kennedy Center debut with the Washington Chorus and Orchestra (which includes members of the National Symphony Orchestra). Mr. Hayes has collaborated with some of the world’s finest soloists including: Roberto Diàz, Vladimir Feltsman, Haijing Fu, Evelyn Glennie, Gary Graffman, Hillary Hahn, Jennifer Koh, Meng-Chieh Liu, Alan Morrison, William Burden, Nancy Maultsby, Meredith Arwady and Rinat Shaham. In addition, Mr. Hayes has a strong commitment to nourishing contemporary music and frequently collaborates with composers. Among the notable composers with whom he has collaborated are: Tan Dun, Jennifer Higdon, Ezra Laderman, Sir James MacMillan, Paul Moravec, Bright Sheng, Christopher Theofanidis and Chen Yi, among many others. In the world of popular artists, Mr. Hayes has conducted concerts with Billy Joel, Blue Man Group and John Lithgow. Mr. Hayes made his debut at the Verbier Festival with the Curtis Orchestra and has made several appearances with the Springfield (MA) Symphony Orchestra at the Berkshire Choral Festival. In addition, Mr. Hayes and the Mannes Orchestra continue to make yearly appearances at the Mannes Contemporary Music Festival. THE MANNES ORCHESTRA Violin Katherine Liccardo, Concertmaster A Jin Choi Anna Choi Johannes Chung Caroline Cox Shuaili Du Basma Edrees Delaney Harter Jingyi Hou Young Soo Jang Yoorim Kim Katherine Meyers Meredith Ezinma Ramsay Michael Tropepe Chiung-Hua Tsai Jacqueline Vanasse Emily Vold, principal Yu-Ti Chang Christine Choi Hiu Kai Fan Mara Gerety Anna Hiemstra Trevor Hofelich Shushi Hori Aria Kitaguchi Jess Lo Amy Tan Weilong Wang Xinou Wei Yijia Zhang Viola Samuel Kelder, principal Xue Ding Heather Faust Yi-Li Lai Wen Guan Li Patrick Page Jesus Rodriguez Gonzalez Sarah Thrall Hsin-Yun Yang Taeyoung Yoon Qiyun Zhao Cello Zexun Shen, principal Jeanne Dorche Joseph Gotoff Mark Humburg Monica Ji Sooyoun Lim Ji-Hwon Na In Young Park Jae Hee Park Chan Kyung Jane Park Yoonjin Park Ji-Hyeon Yun Bass Aleksey Klyushnik, principal The Homer Mensch Chair Anthony Bellamy Lea Ivanovic Ryan Koehler Carlin Rizzo Andrew Rogers Yu-Chi Wang Flute Michelle Stockman, principal Seung Jae Yoo, principal Min Jee Kim Juhye Lee Juhyo Lee Sojung Moon Oboe Ellen Hindson, principal Cory Snoddy, principal Cat Cantrell Ron Cohen Mann Evan Sanchez English Horn Phillip Rashkin Clarinet Miles Jaques, principal Yoonah Kim, principal Eric Fung Brian Park Diego Vasquez Jinju Yeo Bassoon Mary Catherine McKee, principal Colin Mannes, principal Peng Zhang Contrabassoon Annamaria Kis Ven Saxophone Robert Harvey Horn Alexander Chin, principal Tsviki Moran, principal Jonathan Carroll David Flaum Merav Goldman Jessica Lombardo Eric Vanderlaan Nicholas Walls Trumpet Alexandria Smith, principal Matthew Brunt David Freides Melanie Gold Daniel Rodriguez Trombone Chia-Hsien Lin, principal Andrew David Nissen, principal Richard Rituper Bass Trombone Daniel Dunford Matthew Winter Tuba Christopher Smith Harp Kathryn Andrews Kristi Shade Piano Alexander Bryson Celeste Stanislav Fridman Timpani Phillip Gallo Austin Holm Percussion Joshua Azenberg Phillip Gallo Austin Holm Maiko Hosoda Jessica Tsang Orchestra Librarians: Christopher Smith, Alexandria Smith, Dong Myung Sohn Orchestra Crew: Eric Fung, Annamaria Kis Ven Director of Instrumental Studies: Chris Gulhaugen Assistant Director of Instrumental Studies: Elizabeth Weisser About Mannes College The New School for Music Mannes College The New School for Music develops the next generation of classical music citizens by combining music conservatory traditions with the cutting-edge advantage of being part of The New School, the nation’s foremost progressive university. Founded in 1916, the Mannes formula for quality education has capitalized on its world-class faculty, location in the heart of the global arts capital, small class size, and a living tradition of rigor and depth that develops strong technique and great artistry. The Mannes ethos forms the basis of a vibrant community, whether you are a degree or diploma student in the College or Extension divisions, or a young person studying in Mannes Prep. In this second decade of the 21st century, when demands on artists are greater and more complex than ever, Mannes is committed to providing a wide range of exciting learning and knowledge building in partnership with its sister divisions of The New School, including one of the world’s great design schools, Parsons The New School for Design; the liberal arts at Eugene Lang College; public policy, business, and civic engagement in The New School for Public Engagement; and cross disciplinary arts learning at The New School for Jazz and Contemporary Music and The New School for Drama. For more information on Mannes and The New School visit: http://www.newschool.edu/mannes

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