LAVA - Variable viscosity test driven by a VOPPOP custom temperature attribute on the FLIP particles. I am also using this attribute to drive the disp/Cd/emis on a mantra shader and to source density emission on the smoke solver.
Lava Shader test hip scene:-
- Published: 2014-09-08T20:45:18+00:00
- Duration: 46
- By Armin Halac
The foot is usually one of the areas of the body that doesn't get much attention. Stick a reverse foot rig onto everything and the foot stays rigid with a bunch of sliders in the channel editor. Well not any more. This foot rig is simple to animate but has a lot of power in its couple of controls.
For more information visit www.robotsquids.blogspot.com
I'm certainly not the first to do this, but most are just picture tutorials. I thought it would be helpful to watch someone complete the process. Cheap circular polarization filters can be purchased online for as cheap as $5 each. The entire mod process takes about 10-15 minutes with the right tools. Easy and straight forward.
1. Take care not to damage the filter when unscrewing the retaining ring. It is easy to slip and scratch the class or coating.
2. There is a reason the Singh-Ray Vari-ND filter is over $300, but for around $10 a little color shift/drop in contrast/slight vignetting (all easily corrected in post) is worth the savings in my book.
- Published: 2013-06-30T00:40:32+00:00
- Duration: 184
- By Variable
In March of 2013, Variable was commissioned by Edelman to produce four mini-documentary films along with the print advertisements for Pfizer's cause-driven campaign; "Get Old". The purpose of the campaign is to spread positive awareness on aging by showcasing stories that break the mold of the negative pre-conceived notions surrounding the topic. As a team of ambitious young creatives, we thoroughly grasp these negative connotations so we were thrilled to put our energy into a campaign message that we truly believe in.
The first of four films features Hy Snell, an energetic and awe-inspiring gentleman. When asked how he felt about aging, Hy couldn't even comprehend why we were interested in the topic. It was as if "age" didn't even exist in his world. For Hy, "age" has had nothing to do with his joy and contentment in life. His immense passion for creating artwork has kept him moving forward without looking back for over seven decades despite his ongoing battle with failing eyesight. At 94 years-old and a dwindling 5% of his eyesight remaining, Hy continues to find inspiration due to the fact that he is literally seeing things differently every day. This fact spoke volumes to us since it is relatable on so many levels. In summary, Hy truly is a living testament who proves that each road block, as tough as it may seem at the time, can provide tremendous opportunity for growth and prosperity.
Production Company | Post Production | Creative Collective: Variable
Director | Editor: Jonathan Bregel
Executive Producer: Tyler Ginter
Producer: Alex Friedman
Production Supervisor: Paige DeMarco
Production Coordinator: Alexandra Van Voorst van Beest
Cinematographer | Photographer | Colorist: Khalid Mohtaseb
Art Director: Joseph Sciacca
1st AC | DIT : Dan Stewart
Sound Mixer: Anthony Viera
Assistant Editors: Dan Stewart, Jeff Levine
Motion Graphics: Maha Mohtaseb
Creative Assistants: Ashley Horton, Michelle Brooks, Dotsie Bregel
Creative Development & Casting: Edelman & Variable
Executive Creative Director: Jimmie Stone
Executive Producer: TJ Sponzo
Copy Supervisor: Kristen Dietrich
Original Score: Keith Kenniff
Unseen Music, 2013 | www.unseen-music.com
Sound Mix & Design: Brooklyn Post Studio
- Published: 2015-04-06T05:07:06+00:00
- Duration: 16
- By Dave Stewart
Inspired by other Houdini and Realflow artists lava R&D, particularly Graham Matthew Collier's impressive work.
I'm new to Houdini and am still wrapping my head around much of the functionality, so there is much to be improved here. I'd like to add a pyro sim for smoke, and proper UV mapping so that I can get better displacement detail. Currently using a variety of custom point attributes to drive the various shader properties and variable viscosity mapping, which requires a pretty low particle separation value and results in slow sim times. The render quality also leaves much to be desired!
The variable viscosity created by remapping a diffusing temperature attribute that gets set in the source SOP. This results in more variation in the cooling time, as thicker masses of lava cool more slowly.
Thanks for watching, suggestions welcome!
- Published: 2012-08-09T20:12:04+00:00
- Duration: 160
- By Variable
This mini-doc shares the story of Władysław Tomczyk, a gentleman we unexpectedly met in Katowice, Poland after wrapping a month-long commercial project throughout Europe. His hopeful message of creating life-work by honing one's natural ability is one we value to the core at Variable. What began as an insightful conversation, motivated us to extend our trip by 3 days so we could capture this inspiring man's life.
With no pre-developed story or shot-list, we let our curiosity & conversations with Wladyslaw guide the film. As a result, his outlook on life furthered our belief that contentment through self-acceptance trumps societal approval.
Free your mind.
Production Company: Variable
Cinematographers: Jonathan Bregel & Khalid Mohtaseb
Producer: Tyler Ginter
Art Director: Joseph Sciacca
Local Coordinator & Translator: Piotr Labercheck
Editorial & Color Grade: Salomon Ligthelm - www.ligthelm.tv
Original Score & Sound Design: Tony Anderson - www.tonyandersonmusic.com
Post Story Producer: Susan Modaress
Polish Translators: Sophia Whitman & Arkadiusz Lesniak
- Published: 2015-11-05T15:54:47+00:00
- Duration: 45
- By Gang Films
- Published: 2013-08-15T15:52:13+00:00
- Duration: 923
- By Jeff Brodsky
In this video we take a look at the inner workings of the Variable FK trunk rig
If you create something worth seeing with it show to me, I am curious :D
This is a quick demonstration of my autorigger I wrote for the variable forward kinematic concept presented by Jeff Brodsky in this video: https://vimeo.com/72424469
This is my first maya scripting project of this size but since it would require a lot of manual steps to set this up all by hand I decided to write it as an autorigger right the beginning plus I thought it could be fun. It is the first time I used pymel and made an UI for a maya script so the code is probably pretty messy but it reliably does what it's suppossed to do.
Variable FK is a bit more dynamic than normal FK controls because it adds the feature to move the controls along their jointchain while the influence of a control on a joint is determined by the distance between them. The moving along the joints part works similar to a ribbon rig and the distance-influence calculation is achieved with utility nodes.
This kind of rig works well for:
- plants (mainly ferns)
- adventure time style limbs
- elephant trunks
and probably much more. feel free to experiment, feedback appreciated
- Published: 2015-06-30T17:32:22+00:00
- Duration: 10
- By Dave Stewart
Featuring Sid, the invisible displaced sphere! ;)
Viscosity based on point age, remapped with a ramp in a POP VOP. Rendered with Mantra PBR.
Hardening speed is exaggerated to be sure, was trying to preserve all the nice folds that form initially.
- Published: 2015-01-11T13:01:40+00:00
- Duration: 158
- By Nils
Shot and edited in 4k. Slow Motion, time lapse and normal frame rate used in this work intentionally. The city changes through the constant movement through time and space.
Shot with: Sony PMW-F55, Panasonic GH4, Panasonic GH2, Syrp Genie.
Lens: Zeiss Distagon T* 2.8/21 ZF, Zeiss Distagon T* 1.4/35 ZF.2, Zeiss Makro-Planar T* 2/50 ZF.2, Zeiss Makro-Planar T* 2/100 ZF.2, Nikon Nikkor AF-S 70-200 mm F/2.8, Samyang 10 mm T3.1, Samyang 16 mm F/2.0, Panasonic Lumix G Vario 7-14 mm F/4.0, Panasonic Lumix G Vario 100-300 mm F/4-5.6, Olympus M.Zuiko ED 45 mm f/1.8
Cinematography by Nils Kravets
Director: Sergio Yershov
Music by PMWA (Maxim Paramonov)
Camera assistant: Artem Afanasiev
- Published: 2012-04-19T11:52:33+00:00
- Duration: 6
- By Adam Sipos
render of a simple FLIP-fluid RnD test
- Published: 2014-06-23T04:32:59+00:00
- Duration: 145
- By Eddie Song
Another awesome Harrison Metal lecture that I got to animate at Dress Code. This one's packed with fun stuff: liquids, horses, bullet time, all in the name of illuminating how to deal with the different natures of various costs for your business.
Shout out to Evan Anthony for that cloner-object expressions code, that he whipped up in all of 45 seconds, for the falling cup pyramid sequence. I'm still amazed.
Client: Harrison Metal
Creative Director: Dress Code
Designer: Mercy Lomelin
Animator: Eddie Song
- Published: 2015-07-09T00:52:21+00:00
- Duration: 15
- By Dave Stewart
Same sim as previous, just playing around with the shader a bit more. Still needs some work on the transition from refractive to solid, it's a bit harsh currently. Just one camera angle, with a replay at 1/2 speed (dodgy AE pixel motion interpolation...)
I also switched to using the "Particle Fluid Surface" node instead of VDB for the meshing. Quality is comparable, and it's much simpler to set up with no extra cleanup/smoothing nodes needed.
- Published: 2012-12-05T21:22:27+00:00
- Duration: 734
- By Dave Dugdale
- Published: 2013-05-07T04:44:17+00:00
- Duration: 239
- By VFXLAB
- Published: 2012-06-02T15:37:37+00:00
- Duration: 6
- By Qbick
- Published: 2014-08-01T07:32:21+00:00
- Duration: 12
- By Arihant Gupta
A test with custom viscosity attributes affecting the flip simulation. Used multiple SOP Solvers on this. I will be taking this RnD further along with controlling viscosity with attributes such as Color (Cd) and Temperature (temp). More tests coming soon!
- Published: 2015-04-09T23:00:04+00:00
- Duration: 151
- By Adam Heslop
I'm working on a completely parametric model for a project at the moment which updates all of the components when the parameters are changed. This includes distribution, count and even structure.
This video shows the distribution method: